This poem was born out of one of those restless moments when my mind wouldn’t stop ticking through endless lists—things to do, goals to meet, lessons to learn.
I remember pausing midway through a busy day and wondering: When does the soul really rest in peace? Is peace something we wait for at the end of life, or something we can find in the middle of chaos, while we’re still breathing and learning to be?
Here’s my poetic take on the idea. Let me know your thoughts in the comments section.
Teach me today. In the now. While I'm still alive. While breath binds with my busy-ness— racing and pacing behind the checklists and wishlists.
Teach me now, in this moment. Tell me— how does a soul rest in peace? Is it when all the boxes on all the lists are ticked before the ticking heart stops? Or is it when one stops to listen to the heart, with no regard for the ticks— checked or unchecked? Or is it in that moment of epiphany— when both the ticking heart and the tailing lists are illusions not worth brooding over?
Is life just a play of pretend? If yes, how do I play it well— in pretending to know or knowing not to pretend but simply play along?
Tell me now, teach me now— in this very moment, this very breath— while there's still a thread of sanity. When does a soul rest in peace? Is it only after death, or when there's nothing left to tick, no fear of leaving behind, no fear of being left behind?
Why don’t people say to the living, “May your soul rest in peace”? Does peace mean silence? End? A full stop? Nothingness? Is the soul only identified at death? Don’t we all long for peace? If yes, does that mean we long for aimless nothingness— a kind of death no one speaks of after experiencing, and no one experiences while still speaking?
You wish only for the dead that their soul rest in peace. But isn’t that what we all want? Or does our fallacy lie in reserving peace only for the time of death?
Tell me now, while I am still breathing— would you wish my soul to rest in peace... or not?
I wrote this poem after coming across one of Blogchatter’s earlier prompts about capturing awkwardness while facing a camera to make reels. Especially that strange, self-conscious feeling when the camera starts rolling. It instantly reminded me of my own attempts at making videos.
You know, that moment when you hit “record” and suddenly forget how to smile, speak, or even exist naturally. What was supposed to be a few seconds of effortless charm often turns into thirty takes of flailing hands, glitching smiles, and existential stares into the ring light. This poem is my playful take on that chaos, the art of being “natural” online.
I click "record" and forget my face— is this my left or is it better left unseen? My smile glitches like bad Wi-Fi, hands flailing like I’m summoning ghosts. I lip-sync with the enthusiasm of stale toast, while my eyebrow auditions for a solo career. The ring light glares like a disappointed parent. My dog walks in, judges me, exits stage left. Thirty six takes later, I post— captioned: "Just being natural"
Hey there, poetry enthusiasts! It’s been a while since I last posted, and I’ve missed writing and connecting with you all. But to make up for the lost time, I’m excited to bring you a series on Visual Poetry. We’ll explore, experiment, and enjoy this unique art form together. Let’s dive in!
Now, if you’re thinking, “Wait, isn’t poetry just about words, rhymes, and verses?” you’re in for a delightful surprise. Visual poetry is like a wonderful fusion of literature and art, where the way the text is arranged on the page is just as important as the words themselves. It’s poetry you can see and feel, and it brings a whole new dimension to the poetic experience.
So, what exactly is visual poetry? In simple terms, visual poetry is an art form where the visual arrangement of text, images, and even symbols is used to convey a poem’s meaning. It’s not just about the words themselves; it’s about how those words are presented on the page. The layout, the fonts, the spacing, any artwork in the background—all these elements come together to create a piece that you experience both with your eyes and your mind.
Imagine reading a poem where the words form the shape of a tree, or where different fonts and sizes create a rhythm that mirrors the poem’s theme. Thus, visual poetry takes the traditional idea of a poem and turns it into something you can not only read but also see and sometimes even touch.
Different Types of Visual Poetry
There are different types of visual poetry. Just like traditional poetry comes in various forms—haikus, sonnets, free verse—visual poetry also has its diverse styles. Here are a few that you might find fascinating:
Concrete Poetry: This is probably the most well-known form of visual poetry. In concrete poetry, the words of the poem are arranged on the page to form a picture or shape that reflects the theme of the poem. For instance, a poem about a star might have its text arranged in the shape of a star.
Found and Blackout Poetry: This involves taking existing text (like a page from a book or a newspaper article) and blacking out most of the words, leaving only a few behind to create a poem. The remaining words form both the text and the visual pattern, giving the poem a unique visual appeal.
Calligrams: A calligram is a type of visual poetry where the text forms an image related to the poem’s content. Think of it as a drawing made out of words. The famous poet Guillaume Apollinaire was known for his calligrams, where he’d arrange his text to form images like rain, birds, or even a woman’s face.
Ekphrastic Poetry: This type of poetry takes its inspiration from visual art, where the poet responds to a piece of artwork—whether a painting, sculpture, or photograph—through words. The resulting poem often reflects or interprets the visual piece, creating a dialogue between the two art forms. Ekphrastic poetry bridges the gap between seeing and feeling, offering readers a deeper, multi-sensory experience.
Collage Poetry: Think of collage poetry as a literary version of a visual collage. In this form, poets cut out words and phrases from various sources—magazines, newspapers, books—and then arrange them on a page to create a new poem. The visual aspect comes from the physical placement and style of the cut-out words, which can add layers of meaning and texture to the poem.
Mathviz Poetry (My New Project!): I’m particularly excited to introduce you to a new type of visual poetry I’m working on called Mathviz Poetry. This style combines the precision and patterns of mathematics with the expressive power of poetry. Imagine equations and geometric shapes merging with verses, where the arrangement of numbers, symbols, and words creates a harmonious and visually engaging piece. Mathviz Poetry seeks to bridge the gap between logic and emotion, proving that even math can have a poetic soul.
You might be wondering, what’s the big difference between visual poetry and traditional text poetry? Well, while traditional poetry focuses primarily on the words and their arrangement in lines and stanzas, visual poetry goes beyond that. It uses the physical placement of words, their shape, and even the space around them to enhance or sometimes even change the meaning of the poem.
In visual poetry, how a poem looks on the page can be just as important as what it says. The visual elements work hand in hand with the text to create a richer, more immersive experience. In traditional poetry, you might imagine the scene or the emotion as you read; in visual poetry, you see it directly on the page.
Why Do We Need Visual Poetry?
So, why do we even need visual poetry? Isn’t regular poetry enough? The answer lies in the unique way visual poetry can communicate ideas and emotions. Sometimes, the visual arrangement of words can express something that the words alone cannot. It creates a stronger connection with the reader, evokes more intense emotions, and adds layers of meaning that might be missed in traditional text.
More so, visual poetry also breaks down the barriers between art and literature, showing that the two can coexist beautifully. It invites readers to engage with the poem on multiple levels—intellectually, emotionally, and visually.
What’s Next?
We’ll explore specific styles, see examples, and even try creating some visual poetry ourselves. So whether you’re a seasoned poet or just curious about this art form, there’s so much to discover.
Stay tuned, and let’s explore the beautiful world of visual poetry together!
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