Pinkoo Shergill, a quick look. Image Source: Designed by self on Canva
Pinkoo Shergill is here to take you on a fantabulously yummilicious ride, treating you with his delicacies filled with ingredients of humour, love and friendship.
Pinkoo, the 10-year-old boy breathes, dreams and lives for baking while his Papaji is conditioned to believe the kitchen is not for boys to step in. How Pinkoo overcomes all the hurdles to enter the Great Junior Bake-a-Thon with an unexpected surprise waiting at the end is what the story is about.
Even while the story rides on the wheels of humour, it is certainly anchored in sensibility slamming stereotypes then and there. To do so without sounding preachy, to be able to talk in the language of children is the biggest plus of the book.
The characters are well defined and much relatable. The blabbermouth cousin Tutu, the supportive friend Manu, the annoying-girl-turned-friendly Nimrat are all very much liked by my daughter as she could relate to one of each from her own friends’ circle.
My daughter, Miss M was fascinated about the joint family set-up and the Punjabi way of addressing the relatives. Also, the generous use of onomatopoeias (like buuuzzz, pinggg, whooosh) and telescopic words (like giganterous, coolsome, irritatinnoying) caught her fancy at once and now she has her own list of such words.
What you see above is some Pinkoo Shergill inspired cakes and cupcakes drawn by my daughter. Also yes, she is a big-time unicorn fan!
My personal favourite happens to be the conversations between Pinkoo’s and Tutu’s eyes.
Yeah right, conversation between eyes! They have a dialogue going. I told you, this book is hilarious.
A word of caution: The book takes you through a ride of yummilicious cake preparations, all so drool-worthy and is best enjoyed with at least a cupcake or gulabjamun by your side.
The author, Vibha Batra, has kept the language simple making it for a quick fun-filled read. She has also filled in the story with a plethora of action words and fancy adjectives that is certain to catch the fancy of young readers. It can also come in handy for teachers too to introduce the same in a fun way through the story.
The only minus I see in the book is the overuse of capitalizations which felt sore to my adult eyes though I’m not sure if I can call it a minus as my daughter found it just fine.
The cover page by the illustrator Shamika Chaves is vibrant and beautiful. The exaggerated expressions in the sketches inside adds to the humour.
Additionally, the quirky doodles in the first and last pages can actually turn up as a colouring activity for kids (idea courtesy, Miss.M).
Altogether, Pinkoo Shergill makes for a quick fun read with ingredients of humour, love and friendship added in the right proportions making the story a relishing experience. The large typesetting makes it easier for beginners or for those who are just transitioning from picture books to chapbooks.
P.S. Don’t miss out on the creativity of the author come out even in the acknowledgements at the end.
You may think that you consume poetry consciously but there may come along a book, like Gitanjali, where poetry will consume you, wholly, making you feel both lost and found, leaving you with a gratified feeling.
It’s with a feeling of reverence and fondness that I attempt at writing about this book. This book is one that I don’t want to view from a reviewer’s lens. Though this post may be tagged under the category of a book review, let me be clear that this is not a book review.
This is more like a childlike joy of sharing a found treasure with friends. This is exactly that.
Rabindranath Tagore’s Gitanjali is a treasure to be shared and enjoyed, consumed and let be consumed, discussed in platforms and yet relished in silence.
Written by the Bengali poet Rabindranath Tagore, Gitanjali (which translates to “Song Offerings”) is a collection of translated poems of Tagore’s collection of Bengali poems titled Gitanjali. Well, the Bengali collection had 157 poems while the English translated collection has only 103 poems.
The collection of poems captures the conversations of the poet with God in its profoundness even while keeping the language simple. It’s the simplicity in which Tagore brings out hope and the possibility to have conversations with God that makes it extraordinarily beautiful.
The poet Rabindranath Tagore won the Nobel Prize for Literature for Gitanjali in the year 1913 which put Indian Literature in high regard across the world.
Where the mind is without fear
I was introduced to Tagore’s work in my school through this poem “Where the mind is without fear” from Gitanjali–
Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.
This poem, written by the visionary during the period when the British ruled India, at first looked like written as a yearning for freedom from slavery. But what made me feel relevant even now, making it a timeless classic is that it yearns for freedom from our very own limitations of the mind.
This poem and all of the other poems in Gitanjali too helps work on an individual level of freedom.
As a nation, we might be free from the shackles of slavery seeing progress in the fields of science, technology, medicine, sports, etc. But are we free from discrimination at the grassroots levels?
Do we even realize what freedom of mind may actually mean?
Gitanjali gently nudges us to question ourselves leading us to the heaven of freedom where the heaven is found just within us, where God sits right inside of us making conversations with Him possible, right now.
Gitanjali-Biggest influence on my poetry (and life) journey
As mentioned in one of my previous posts, Rabindranath Tagore’s Gitanjali is one of the biggest influences on my poetry (and life) journey and honestly, I don’t remember how I landed up with this book. But one thing that I clearly remember is that the very first poem in it had me in tears. Here is that piece:
Thou hast made me endless, such is thy pleasure,
This is my prayer to thee, my Lord-strike,
strike at the root of penury in my heart,
Clouds heap upon clouds and it darkensThou hast made me endless, such is thy pleasure
Thou hast made me endless, such is thy pleasure.
This frail vessel thou emptiest again and again,
and fillest it ever with fresh life.This little flute of a reed thou hast carried over hills and dales,
and hast breathed through it melodies eternally new.
At the immortal touch of thy hands
my little heart loses its limits in joy
and gives birth to utterance ineffable.Thy infinite gifts come to me
only on these very small hands of mine.
Ages pass, and still thou pourest,
and still there is room to fill.
— Tagore
More interestingly, I couldn’t move on to the rest of the poems and I didn’t force myself to do so too. I sat with the poem.
Some poems come to you to prepare you for an intense experience
while some others come in as an assurance that your path is headed the right way.
Gitanjali has poems that make me feel both ways.
A relationship with God
More often or so, our relationship with God stems from fear or an obligation or a traditional practice but this anthology will make one seek God from a space of love.
There are times when the complexities of life may drain us, making life a dreadful solo journey. But one read of even one poem from Gitanjali can make you feel comfortable assuring that it needn’t be a solo journey while He is by your side.
Tagore brings in the beauty and joy of having an honest relationship with God through his lines effortlessly and efficiently.
I ask for a moment's indulgence to sit by thy side. The works that I have in hand I will finish afterwards.Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless sea of toil.To-day the summer has come at my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove.Now it is time to sit quiet, face to face with thee,and to sing dedication of life in this silent and overflowing leisure.
- Tagore in Gitanjali
Ain’t it just amazing? I sometimes feel that kids have such conversations easily while we as adults lose the connection with God because of our learned ignorance. Kids keep it simple like this conversation in the poem above. They say their fears openly, approach and own God which we as adults fear to do, afraid of being judged.
Gitanjali makes those real-time conversations with God possible and helps experience the childlike joy that comes with believing in magic and being open to it.
On another note, I would also love for you to listen to the song below penned by Tagore (not from Gitanjali though) which gives one the hope and courage to make the right choices and walk alone if the right thing is to stay away from a wrongful crowd.
What makes Gitanjali a must read
This book has an introduction to Gitanjali by the Irish poet W B Yeats is more than enough of a reason to make Gitanjali a must-read. Yeats’ introduction clearly shows his fascination for the mysticism in Tagore’s poems and calls it the work of a supreme culture.
Where most of the divisions and discriminations creep into society out of a religious divide, this anthology has the power of changing perspectives working on an individual level to free us from such limitations.
Even for an atheist, this book has an appeal as there’s no definite portrayal of God here and it’s more of an abstraction and personification. And the poems can make one easily personify God the way they want or simply relate it to an idea they believe in.
It’s more of an experience than a depiction. It’s more of a personal belief than a traditional practice.
Gitanjali helps you shift from a religious trip to a spiritual voyage with hope and love as comfort.
Concluding Notes
Our prayers end in a hurry, we take time to do rituals but not the time to sit alone to contemplate or have a conversation with God. We don’t even think about the possibility of having a conversation with God.
We distance ourselves from God not knowing of His residence just right in our hearts. Gitanjali helps you find Him, fall in love and make Him your forever friend.
We do things out of fear but not with an open-mindedness to seek, to be called wrong and to learn right from the wrong. We forget to learn to unlearn. And it can be hard from a lot of conditioning since birth but that is where Tagore’s Gitanjali comes in as a gentle nudge and a comforting blanket.
Some poems come to you to prepare you for an intense experience
while some others come in as an assurance that your path is headed the right way.
Gitanjali has poems that can make you feel both ways.
–
P.S. Not every poem in Gitanjali has to be read in one go. Nor every poem of Gitanjali may appeal to you all at once. It is a growing experience.
Sit alone with one poem at a time and experience the magic it brings along. I bet, it will grow upon you and the poems will start talking to you (not necessarily in the same order of writing) right at the time when you least expect it.
Swatantra is not just about the title of the poem. It’s not just another Independence poem. It’s about the motherland, the land, the mother, you and me, and us all together. Hope you find yourself in Swatantra, become one and feel free from all boundaries and conditioning.
This poem is an attempt for you to seek Independence from within. To ask yourself every now and then if you are really free? What binds you? What makes you feel Independent?
Do you feel swatantra at the soul level? If yes, then don’t shy away from singing this Song of Swatantra, happy & high! If not, just ask why?
Let’s own & celebrate Independence every day, consciously 🙂
Happy Independence Day 🙂
I can be the barren land-isolated
or a fertile field-decorated
deep inside lies my untouched soul
the essence of being immortal
From dust I become-to end
into the dust, a cycle of pretend
in ‘tween, a soul-free, identity independent
singing the song of freedom, eternally coherent
The shackles of your conditioning
never do they define my being
I stretch, I flow, I change yet forever glow
in the gentle breeze, even in a stormy blow
In lying bare or in clothing finery
naked truth being my only accessory,
I pride myself on telling my history
for in the roots of this land lies my glory
I might be your survival food or savouring feast
Yet don’t you dare label me beauty or beast
Neither food nor feast, neither beauty nor beast
I’m the solitary soul you know the least
I’m the universe I’m the atom
My spirit undivided in a stratum
It’s not in you to bind me
For I’m free, I’m free, I’m free
From dust I become-to end
into the dust, a cycle of pretend
in ‘tween, a soul-free, identity independent
singing the song of freedom, eternally coherent
I’m the universe I’m the atom
My spirit undivided in a stratum
It’s not in you to bind me
For I’m free, I’m free, I’m free
I’m free
I’m free
I’m free
For the spoken word version of the poem, click below:
They know not
colours that we percieve-
every little colour
in their world
being just fair and unfair...
They know not
to raise a riot,
with colours
whilst choosing new cycle
as dad offers...
They know not
to break the heart
of a smart dusky lady
as she waits with hope
to be his choice for a wedlock...
They know not
to raise an issue
plinth on colour discrimination,
as they raise high
with powers from designation...
They know not
to go green with envy
sigh feeling blue
to earn by yellow journalism
nor to go red out of rage...
They know not
the colour of the people
changing chameleons
for their eyes deeply set
hasn't got the vision right...
They know not,
colour that we perceive-
every little colour
in their world
being just fair and unfair...
While poetry in itself can have undertones, giving us various perspectives, a cento poem goes further ahead to bring on an entirely new dimension.
A cento poem is nothing but a collage poem with lines picked up from other sources of poetry/prose to combine and come up with patched-up poetry. It is total fun and also challenging.
To come up with a cento poem, one must read many other poems/prose pieces and come up with an idea or central theme that can hold the lines from various sources under one theme.
Here’s a cento poem that I came up with during an advanced poetry writing workshop. Hope you enjoy it. Also, I have mentioned the sources from which these lines are taken, at the end. To make the flow seamless, I have also added few lines from my side 🙂
Every Storm Brings Along a Calm, Thereafter
My desires are many and my cry is pitiful,
My body's wisdom tells and tells again
A voice inside, briefly, soothing the pain-
“These men bearing flags were thirsty for love.”
There was never a consent, nothing of me
They grow on me like leaves on a tree.
“That virus is not for you
They decayed before they were born”
nothing can mend, I’m already torn.
They never seem to stop their coming,
They grow on me like leaves on a tree,
There was never a consent, nothing of me
That I shall find my rest, my sleep, my peace
the voice fountains, thrusting brevity at ease...
“The infinite knows what you hunger for
Ask Him to carry you across”
My conflicting mind dives into a pause
From a silence, somewhere deep within.
Strength surmounts, knowing whom to let in
saving me from perils of weak, uncertain desire.
“Day by day thou art making me worthy
of thy full acceptance”- I surrender
For men may come and men may go,
but I go on forever…
List of poems the verses are taken from; numbered per the flow of poem:
“Strong Mercy”, from Gitanjali by Rabindranath Tagore.
Taken from the book of Bhakti Poetry Eating God, edited by Arundhathi Subramaniam. This particular verse is taken from Lal Ded’s poetry and translated by Ranjit Hokote.
Taken from the book of Bhakti Poetry Eating God, edited by Arundhathi Subramaniam. This particular verse is taken from Lal Ded’s poetry and translated by Ranjit Hokote.
Taken from the book of Bhakti Poetry Eating God, edited by Arundhathi Subramaniam. This particular verse is taken from Lal Ded’s poetry and translated by Ranjit Hokote.
A blend of emotions,
flashing randomly in mind,
with deeply set eyes,
gazing past every speck,
sitting behind the bars,
analyzing and introspecting,
whilst the physique bouncing-
with the pace of tallyho
my eyes still wandering,
out of the window-
yet another bus ride!
Yet another bus ride...
with monotonous gazes
irritating stares
formal smiles and whatsoever...
with my reluctant self
pondering profound on things -
that never change,
my eyes still gazing out and...
VOILA!
I stopped to blink-
to capture the flash of smile...
Yes...
A red giant pulsar,
speeding through its way,
accelerated by pot-bellied man
and that's not all...
It's she who sat behind
spread the cheer...
Her dress patterned with mud,
shirt-half tucked
her hair-braided & tied up
with ribbons partially open..
She sat with bulgy bag on shoulder
claiming her to be a school girl...
her hands-
soft & tiny
stretching out to maxim
to grasp her dad's stomach
that tummied out
beyond her tiny hands...
But still
she tried hugging tight,
with her face resting on him,
and her eyes glimmering-
out of pride and joy
with her ride with dad...
He now grasps her hands
with utmost care and love
from his front
to bring her more closer
and as her presses her palms
with his affirming touch,
SHE SMILES...
she smiles with joy,
she smiles with love,
she smiles with trust,
she smiles with pride...
and they fade through their way
leaving behind a trace of smile
as oft I reminisce this flash...
வெவ்வேறு தருணங்களில் எழுதிய நாலு கவிதைகள் (கிறுக்கல்கள்), இன்று ஒன்று சேரும்போது புதியதோர் பரிமாணம்கொண்டு அவதரிக்கின்றன.
ஏனோ தெரியவில்லை, சில தத்துவார்தங்கள் தாய் மொழியில் மட்டுமே தெளிகின்றன .
பகிரவும், சிந்திக்கவும், இதோ சில கிறுக்கல்கள்…
வாழ்வின் வெற்றிகள்
வெறுமைகளை அகற்றுமென
வாழவும் மறந்து
ஓடி களைத்து
வாழ்வாதாரத்திற்கும் மேலாய்
சேகரித்தப்பின்
மதி ஒளி பெருகும்-
நிறைந்த வெறுமை ,
வெறும் வெற்றின்பங்களே!!
தோழா
நிலையானதை தேடிச் செல்
தாமதங்களும் தாங்க தகுவாய்
வெறுமையையும் விரும்பி ஏற்பாய்
பிறவிகள் பல
பிறந்தாயிற்று
பிடிப்பில்லாமல்
ஃபீலிங்க்ஸற்ற
ஃபீனிக்ஸ் பறவை
இடி மின்னல்
புயல் மழை
நனைந்த நான்,
நனையா துறவி
மறப்பதெல்லாம்
மாயையாகுமென்றால்,
மாயனே,
மெய்ப்பொருள் முன்னிட்டும்
உன் நினைவுகள் மட்டும்
மறவாதிருக்கட்டும்.
A book review is an unbiased, critical analysis of a book focusing on the style, theme, strengths and weaknesses of the book, criticizing the content and not the author and also not giving away the whole story (or content) of the book.
Book reviews are meant to help you find the right book that can find answers to your seeking (be it joy, knowledge, curiosity or truth). It also helps as a bridge between authors and readers without compromising on each other’s purposes.
The need for a book review
What’s the need for a book review you may ask when there is the choice of reading the blurb or few pages into the book if you are buying offline or checking out author’s or publisher’s talks as part of a promotion? To answer in short, blurbs and promotional talks are carefully curated to impress you.
Now take a look at these two situations:
Situation 1: Have you ever grabbed a book just by one look at its enticing cover and one read of its cleverly written blurb only to regret the buy? I have done that and all I wished was then was to have had/read an honest book review of the poetry book earlier.
Nevertheless, the poetry book actually served the purpose of inspiring me in an unexpected way because it’s only upon reading few pages into that book that my husband said I write much better and that I consider writing poetry seriously.
Situation 2: If you are a parent buying book for your kid and you read the blurb, carefully scan the contents on the index page and also glance through few pages of the book only to end up with your kid pointing out inappropriate content with awkward questions after the buy, won’t you feel upset? Well, I have been there.
The blurbs and promotions won’t tell you much about the settings, the sentiments that run through the book, the feelings that the book may evoke or if there is any content that may be right as per the context but seem inappropriate for a kid to see it out of the context.
It’s to avoid such regrets and embarrassments that one needs honest book reviews.
Also with over a million books published every year and the number just growing exponentially, it becomes difficult for a reader to find the right book just like it’s difficult for an author to reach the right audience. This is where book reviewers come to play.
Book reviewers bridge the gap between an author and a reader.
What’s in a book review for a reader
As a reader, a book review can help to understand the theme, settings and style of writing to know if it’s something of your interest.
It helps you understand the age appropriateness of the content, especially in children’s literature it’s a key deciding factor.
A good review can help you explore new genres which otherwise you might not have picked up.
When it comes to books of debut author’s a book review can be the key deciding factor.
An honest book review can save you from buying a wrong one.
What’s in a book review for an author
It helps in reaching your book to the right audience.
A good book review helps in bringing greater visibility to the book.
Reviews help open up discussions around the book, thereby helping authors to identify the pulse of the audience.
It also helps authors get an idea to what write next.
An honest review even helps the author identify the weakness in the plot/writing and come up better next time.
What’s in a book review for a reviewer
To be able to analyze a book critically and share a review gives the pleasure of revisiting the content/story again.
For a reviewer, it helps as an aid to hold on to key aspects of the book for a longer period of time.
It helps a reviewer explore new genres and also be open to new ideas.
Over time, with reviewing, it helps the reviewer to view their own work with critical lens.
If the reviewer has a good track record for honest and critical reviews, he/she/they get books for free (for reviewing) and also get the chances to be paid too in exchange of a genuine review.
Concluding Notes
With an ocean of books available online and offline, book reviews have the potential to make or break a deal. As much as it’s important to have book reviews, it’s also important on a reviewer’s part to keep it honest.
Let me know your experience with book reviews or book reviewing!
பிறந்தான் அவன் அவனாய்
வளர்ந்தான் அவன் அவளாய்
கம்பீரம் கொண்டான் அவனாய்
நளினம் கண்டான் அவளாய்
மாற்றங்கள் கண்டான் அவனாய்
ஒதுக்கப்பட்டான் அவளாய்
விமர்சனங்கள் ஏற்றான் அவனாய்
முன்னேற துடித்தான் அவளாய்...
அவனும் அவளுமாய் ஓர் உடலில்
தன்னுள் கண்டான்
அவனும் அற்ற அவளும் அற்ற
திருநங்கையாய் அவன்(அவள்?)!!
மூடர்கள் உலகம்
கோஷங்கள் முழங்க
அர்த்தநாரீஸ்வரரை ஏற்ற மனம்
பக்குவம் அற்று
ஒதுக்கி தான் வைத்தது திருநங்கையை
திரு எனும் மரியாதை
வார்த்தையில் மட்டும் கொண்டதாய்...
தூஷணைகளும் தூற்றல்களும்
துரத்தும் சமூகத்தில்
துணிதலும் தன்னம்பிக்கையுடனும்
துரத்திச் சென்றாள் தன் கனவினை...
இன்று
எதிர் கோஷங்கள்
எத்தனையே முழங்கினாலும்
இவள் சலங்கையின் சலனம்
பதிலாகும்
மரண அடியாய்!!
Heads up, Heads up, my crew of crop!
With snug fit white polka dot crop top
& frilled, solid mustard, skirt in sway
Little Miss.Amaira comes our way
Heads up, Heads up, my crew of crop!
Oh! Her dark sulking eyes,
Unkempt hair with loose ties
A walk dead slow, looking lost
Sans a whistle, cold like a frost
Look at her, it’s a rather unusual sight—
Flora fellas, time to cheer her up bright!
One day I’m Miss.Fat, the other day a spoilt brat
Understanding me is never in their aims
What pleasure does it give in calling names?
Is my worth just that of a dusty doormat?
Listen, do you remember calling me "wandering jew"
And my tender friend beside, as "adamant creeper"
In an effort to help your friend identify who’s who?
Not to blame, not to shame, learn your lesson, however!
Ignorance I may say, forgiveness I plead
Let me know how ye greet me with smile
Let me know how ye greet me with smile
& gift me blooms whilst hurt’s what I seed?
Miss.Amaira, imagine name calling as a branch
Just a part of life tree, why struggle & stay hung?
Tell me, if you were to judge from the banch
Is the mother-in-law’s tongue
Any less calm than the peace lily
just ’cos they call it thus, all so friendly?
Let go, LET GO, there’s shade neath the tree
To sit & behold of blooms as you look up to see
Let go, LET GO, there’s shade neath the tree
To sit & behold of blooms as you look up to see
I get, I get it! Yet after a while
As I flail through misery’s trail
I fear, fail & forget to smile
When the dreams get shattered
Where life ain’t anymore roses in bed
I fear, fail & forget to smile
Oh dear, look at me,
Today I talk with thee
& tomorrow I may die with a sigh
A weed like me, mushrooming in every pot
Is never given a place any high
I may wither or be weeded if they like me not
I still smile & talk to thee
Life is all about in the now — to be
Now come, let’s do our little dance
Sing and smile at every chance
Life is short, worth not to fear nor fret
Living in the moment is our only best bet
Now come, let’s do our little dance
Sing and smile at every chance
a twist and a turn
watch the setting sun
raising the arms up and high
waving the sun, a see-you-soon-bye
a twist and a turn
watch the setting sun
a whistle
a rustle
a spin and a wave
together, our Miss.Fave
a twist and turn
watch the setting sun
rasing the arms up and high
waving the sun, a see-you-soon-bye...
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