Spice In The Sevai – Not all spice burns — some bloom between people.

What’s Simmering?
Katu rasa, the pungent taste, doesn’t arrive quietly. It’s a jolt — sometimes sharp, sometimes playful — but always enlivening. In poetry, pungency can be the heat of effort, the friction of surprise, or the spark of realization that something (or someone) has more power than we gave them credit for.
In this post, we explore how pungency finds its way into kitchens and verses — not just through chilli powder, but through unexpected tenderness, muscular effort, and unspoken mischief.
Featured Poem: Spice in the Sevai
Yesterday evening, Priyam came home,
hopping around, smelling the roses,
plucking the lone jasmine from the creeper,
her bangles tinkling louder than the wind.In her usual chirpy self, she asked
for the recipe of authentic sevai —
our traditional South Indian hand-pressed noodles.I laughed.
“It’s not for the faint-hearted,” I said.
“Requires strength — arm work, heavy pressing.
Why not try something easier?”Not losing a breath of enthusiasm, she replied,
“Adi loves it, and I want to make it for him.”I looked at her — thin, frail wrists,
new to our ways of soaking and steaming.
I offered instead,
“Come next Sunday. I’ll make it for you.”But she stood her ground,
with that childlike stubbornness
I never could say no to.So I walked her through it,
step by step:
“Soak the rice for four hours,
grind it smooth, like wet cream.
Add salt, place a cloth in idli plates,
pour ladles of batter over it,
steam it gently.Take it out when still warm, not hot —
and press it through the sevai nazhi
while it still breathes softness.”She scribbled every word,
smiling as if it were a family heirloom.
I didn’t think she’d manage it.But this morning, when I stepped out
to water my garden,
I found the two of them —laughing over the mess
they had created in the kitchen.She was trying to hand him warm idlis
as he quickly placed them in the sevai nazhi,
showing off his muscular arms
with a wink as he pressed it down.She stood beside him,
picked a warm strand,
rolled it around her finger,
and slurped it up — teasing him.And in that moment, I knew —
this otherwise bland, white sevai
had turned spicier
from their love.I left the garden quietly.
The roses could wait.
What’s Sizzling Beneath the Surface?
Pungency of the Unexpected
The poem turns when the speaker’s assumption — that Priyam couldn’t manage the laborious process — is upended. Katu rasa often arrives through surprise and reversal.
The Heat of Togetherness
Domesticity becomes flirtation. The couple isn’t just cooking; they’re co-creating. The sevai becomes a symbol of partnership — effort folded into love.
The Speaker’s Quiet Exit
The speaker fades out — a subtle recognition that what’s blossoming isn’t hers to stir. A final line like “The roses could wait” leaves the rasa lingering.
Writing Prompt: The Spice I Didn’t Expect
Write a poem where someone (yourself or another) surprises you — not with perfection, but with effort, grit, or unexpected intimacy.
Prompt Starters:
- “She wasn’t supposed to manage it…”
- “The batter wasn’t perfect, but the moment…”
- “He winked, and the steam rose…”
- “I offered to do it — but she insisted…”
- “The pressure in the kitchen had nothing to do with the stove.”
Tips for Writing Katu Poetry
Let the spark be small but transformative.
Katu poems don’t need conflict — just a shift in perception.
Use contrasting textures.
Soft idlis, hot steam, cold roses — let your imagery pop.
Let playfulness carry depth.
Mischief can hold meaning. Let the humour come with heat.
End with a pause, not applause.
A lingering moment — a sideways glance, a closing door — is enough.
Final Bite
Pungency isn’t always about spice levels — it’s about what stirs us into feeling more awake.
Sometimes, it’s a couple pressing sevai together.
Sometimes, it’s an old belief melting quietly.
And sometimes, it’s knowing when to step aside — because love, like mustard seeds in hot ghee, knows how to sizzle on its own.
Final Spoonful: Wrapping Up the Series
Over five posts, we’ve tasted the five rasas — madhura, amla, lavana, tikta, and katu — not just as flavours, but as emotions that bring poetry to life.
Through each post, I’ve offered:
- One original poem
- A deep-dive into how rasa works beneath the surface
- Prompts and writing tips for you to cook up your own poems
Poetry, like food, works best when shared.
Try the prompt?
Write your own poem and share it in the comments or email it to me at promisingpoetry5@gmail.com
The best ones will be featured in the Collaborative Poetry section — where shared words find their flavour.
Want feedback on your poetry?
I’m happy to offer 1:1 feedback and poetry editing services.
Reach me at promisingpoetry5@gmail.com to get started.