Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Focus On Creating a Strong Opening and Closing Line
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The first and last lines of a poem are often the most memorable, so it’s important to make them count. Your opening line should grab the reader’s attention and draw them into the poem, while your closing line should leave a lasting impression. The opening and closing lines of a poem are like bookends that hold everything together. Try to create lines that are memorable, and evocative, and set the tone for the rest of the poem.
Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
These lines immediately set the tone for the rest of the poem, as Angelou challenges conventional beauty standards and asserts the power and confidence of a woman who is comfortable in her own skin.
The closing lines of the poem are equally strong and memorable, as Angelou writes,
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need for my care.
’Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.
These lines bring the poem full circle, reminding the reader of the central message and leaving a lasting impression. The opening and closing lines of “Phenomenal Woman” serve as the bookends that hold the entire poem together and make it a powerful and memorable work.
So I hope, next time you start with a poem or edit a poem, this tip comes in handy!
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Embrace Vulnerability and Honesty in Your Writing
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It’s important as a poet to not be afraid to explore and express your true feelings and experiences, even if they are difficult or uncomfortable. This can help create a deeper emotional connection with your readers and make your poetry more relatable and impactful. When you embrace vulnerability and honesty in your poetry, you open up the possibility for a deeper emotional connection with your readers.
For example, consider a poem that explores the pain of heartbreak. Instead of simply describing the experience, a vulnerable and honest approach might involve delving deeper into the emotions behind the heartbreak. This could mean writing about the feelings of rejection, abandonment, and loss that accompany a breakup. By being honest about these difficult emotions, you invite your readers to empathize with your experience and perhaps even find comfort in the fact that they are not alone in their own struggles.
One famous example of a heartbreak poem that embraces vulnerability is “When You Are Old” by W.B. Yeats. In this poem, Yeats reflects on lost love and the passage of time, expressing a deep sense of regret and longing for what could have been. The opening lines set the tone:
“When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep;”
As the poem progresses, Yeats continues to explore his feelings of heartbreak and regret, using vivid imagery and sensory details to evoke the emotions he is feeling. He writes:
“But one man loved the pilgrim soul in you, And loved the sorrows of your changing face;”
This line is a poignant expression of vulnerability, as Yeats acknowledges the pain and sadness that accompany the passage of time and the loss of love. By embracing his own vulnerability and putting it into words, Yeats creates a powerful poem that has resonated with readers for over a century.
Hope this tip and example give you enough courage to embrace your vulnerability.
Suggested Read: Here’s a poem penned by me on how to dissolve yourself as a poet, embracing vulnerability and honesty.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Don’t Be Afraid to Experiment With Form and Structure
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When writing poetry, experimenting with form and structure can be a great way to explore new creative possibilities. For example, if you typically write in free verse, trying out a structured form like a sonnet or villanelle can provide a welcome challenge and new inspiration for your writing.
For example, if you typically write in free verse, trying out a structured form like a sonnet or villanelle can provide a welcome challenge and new inspiration for your writing.
One of the benefits of writing in a structured form is that it can force you to focus on specific rules or guidelines, which can actually enhance your creativity. For instance, a sonnet requires 14 lines with a specific rhyme scheme and meter, which can provide a framework for your ideas to take shape. Working within these constraints can help you to develop a sense of discipline and rhythm in your writing.
On the other hand, if you typically write within a structured form, breaking out of that mould and trying something new can be beneficial. Experimenting with free verse, for example, can provide more flexibility and allow you to explore different rhythms and patterns in your writing.
It can be fun experimenting with form and structure in poetry and an exciting way to push your creative boundaries and explore new possibilities in your writing. Here are some tips on how to do it:
Study different poetic forms: Before you start experimenting with form and structure, it’s a good idea to familiarize yourself with different poetic forms. Read and study different forms such as sonnets, villanelles, sestinas, ghazals, and haikus. This will give you a better understanding of how different forms work and how they can be used to convey meaning.
Start with a basic form: If you’re new to writing in structured forms, start with a basic form like a haiku or a sonnet. This will give you a framework to work within and help you to focus on your ideas.
Break the rules: Once you’re comfortable with a form, try breaking the rules. For example, a sonnet typically has 14 lines, but what if you wrote a sonnet with 10 or 16 lines? Or, you could try writing a haiku that doesn’t follow the traditional 5-7-5 syllable count.
Experiment with white space: The arrangement of words on the page can be just as important as the words themselves. Try experimenting with placing words and lines on the page to create new meanings and effects.
Try using repetition: A repetition is a powerful tool in poetry. Try repeating a word, phrase, or line throughout your poem to create a sense of rhythm or emphasis.
Use punctuation creatively: Punctuation can be used creatively to create pauses, breaks, and emphasis in your poetry. Try experimenting with different punctuation marks to create new effects.
Don’t be afraid to combine forms: You can also experiment by combining different forms or styles in one poem. For example, you could write a sonnet that incorporates elements of a haiku or a free verse poem that uses rhyming couplets.
Remember, the most important thing is to have fun and be creative. Experimenting with form and structure can be a great way to discover new techniques, styles, and ideas in your poetry.
Here is an example of how experimentation with form and structure can transform a poem. Initially, I started writing the below poem as free verse without any particular structure. However, as I played with the poem’s rhyming scheme and white space, I discovered that I could incorporate a more structured form into my writing Check out the poem here:
Let me know what you think about experimenting with the structure or format of a poem. Also, if you have some experimental poems to share, feel free to drop the link to your poem in the comment section. I will be happy to read and engage!
I am an Indian homemaker, mother, and writer armed with a pen, a flair for poetry, and a passion for peace. My works have been published on platforms such as Inkspire, Women’s Web, BeStorified, Gentleness Ambassadors and the Great Indian Anthology.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Choose Precise and Descriptive Words To Create Strong Imagery
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Poetry is all about painting vivid pictures with words. Using precise and descriptive language can transport your reader to another time or place. For example, instead of saying “the sky was blue,” you could say “the azure heavens stretched out before us.”
Instead of using a vague word like “nice,” try to choose a more specific adjective that captures the essence of what you’re trying to convey. For example, instead of “nice weather,” you could say “crisp autumn air with a hint of wood smoke in the breeze.”
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll be sharing 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and editing poetry to perfection. Today’s tip is:
Brainstorm Ideas and Write Them Down as Soon as They Come To You
Ideas are the cornerstone of a poet or writer. They arrive in waves, often unexpectedly, and are transient in nature. Therefore, it is essential to capture them as they arise. Keep a notebook or voice recorder handy at all times to capture your ideas whenever and wherever they strike. You can jot down lines, images, or ideas for future poems.
Brainstorming ideas and jotting them down as soon as they come to you is important for several reasons. First, it helps you capture your initial thoughts and emotions before they fade away or become diluted. Writing down ideas also allows you to visually organize and prioritize them, which can help you develop your poem more effectively.
In addition, brainstorming can help you generate new and unexpected ideas. By allowing yourself to write freely without judgement or self-censorship, you may come up with ideas you might not have thought of otherwise. And once you have a list of ideas to work with, you can begin to refine and develop them into a coherent and compelling poem.
Here is an example of how I brainstormed ideas for a poem on a beach sunset:
Please keep in mind that jotting down your ideas shouldn’t detract from being present at the moment. It’s important to fully experience the moment as it happens. However, as soon as you are out of it, make it a priority to jot down your ideas at the earliest opportunity. This way, you can capture the essence of the moment while it’s still fresh in your mind and use it to craft a beautiful poem.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll be sharing 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and editing poetry to perfection. Today’s tip is:
Avoid clichés and overused phrases
It’s easy to fall into the trap of using clichés or overused phrases when writing poetry. However, these types of phrases can make your work feel uninspired and unoriginal. Instead, strive to find unique and fresh ways to express your ideas. For example, instead of saying “quiet as a mouse,” you could say “silent as the stillness of midnight.”
Instead of using a tired phrase like “time heals all wounds,” try to come up with a more original way of expressing the same sentiment. For example, “the scars of yesterday may fade, but their memory lingers on.”
April is one of the months that I look forward to with eagerness as a poet & a writer. It’s a month of writing challenges like NaPoWriMo/GloPoWriMo and A to Z challenges. I have shared my previous experience with NaPoWriMo, here. Last year, I participated in the Blogchatter’s A2Z challenge crafting 26 intuitive poetries using heteronym characters and it was well received to be turned into an E-book. You can find a copy of the book, here.
I recently did #26days26poems on love in February, this year. So I thought, this time, I would refrain from writing poetry and instead, write bite-sized posts on 26 secrets for crafting beautiful poetry. The upcoming 26 posts will be corresponding to each letter of the English alphabet. Each of them will help you with actionable tips to craft/edit your poetry to perfection. These are the tips I have learnt and used in my works and most of them are answers to the questions that I am frequently asked for help with.
I will be consciously keeping the content of these posts bite-sized so that you don’t find it overwhelming and help you make progress, one step at a step. Hope you find the posts useful, no matter wherever you are in your poetry writing journey. To make sure not to miss any of my posts, subscribe to my newsletter by filling out the form below:
Coco Comma is an English language ace. She keeps interrupting and correcting the townsfolk’s English, annoying everyone. With her nose buried deep in a book, she often walks into objects and bangs into people and furniture. Along with her best friend Sunny, Coco creates ridiculous rhymes, alliterates impossible sentences, uses hilarious idioms, and even encounters a magical alphabet tree!
Book Review
We received this book as part of the Blogchatter’s Book Review Program and my 10-year-old just dived into the book and finished it in a matter of minutes. Here’s what my 10-year-old had to say about the book:
This delightful book follows the adventures of a young girl named Coco Comma, who shares my love for reading! While I am a fast reader, Coco is more interested in speaking proper English and correcting those who don’t. She’s confident in her abilities and considers herself the town’s English expert. However, her love for books sometimes causes her to bump into things and people.
This book is comprised of four engaging stories that explore the use of rhyming words, alliterations, and idioms. Each story presents these language tools in an entertaining and accessible way, making it easy for readers to learn and understand them.
The stories in this book take place in a charming town filled with unique characters such as the comical twins Tilly and Trixie, the quirky Mr Tuktuk, and the funny Mrs Tippytoe. The names of these characters are just as amusing as their personalities, making the book a joy to read.
Coco’s loyal best friend, Sunny, stands out in the book as he is always there to support Coco. My favourite part of the book is when Coco and Sunny catch a rhyming bug, and they spread the fun and excitement to everyone they meet. It’s a fun and engaging read that I’m sure many young readers will enjoy.
The book’s illustrations, done by Sunayana Nair, are vivid, colourful, and comical, bringing the characters and town to life. The expressive illustrations perfectly capture the unique personalities of each character, and I especially loved the cleverly crafted facial expressions. Overall, the illustrations added an extra layer of enjoyment to an already delightful book.
In my opinion, this book is very relatable, especially for bookworms like myself. I highly recommend it to anyone who enjoys a good story and wants to learn more about the importance of proper language usage, rhyming words, alliterations and idioms with a dose of fun.
Here are a few points from my side:
This book brilliantly blends bewitching tales and beneficial knowledge, making it a beguiling read for budding brains.
The stories tenderly touch upon timeless truths without being tiresome or trite.
The author’s clever wordplay captivates children and doesn’t miss a beat.
The colourful illustrations are a cornucopia of creativity for curious kids.
The typesetting is top-notch and tailored to tiny tots taking their first steps in reading.
Did you notice what just happened? The book’s essence has rubbed off on my writing as well!
Wrap up words
Overall, this book strikes the perfect balance between entertainment and education. It would make a great addition to any language teacher’s suggested reading list, particularly for introducing children to idioms, alliteration, and rhyming words.
If there’s one suggestion I could make, it would be to lower the price of this 78-page illustrated chapter book, or offer it at a discounted rate for libraries and schools, so that more children can access this wonderful book.
‘I am the mother of a child who did not fit the school system, a child who was disabled by it. She was a child who made “errors”, “mistakes” that the school system was unforgiving of. We were told by the principal of an alternative school that they could not possibly admit “this kind of child”. My daughter went from being a child to “this kind of child” in that one moment.’
When she started working on the book, it was Srilata’s daughter who was its protagonist. But soon, she realised that there was no way she could stop with her daughter’s story. With each step ahead (or back), she became acutely aware of the larger story of the things we frame as ‘disability’.
‘I have learnt that disability is profoundly political, that it is heartbreakingly social.’
In This Kind of Child Srilata brings together first-person accounts, interviews and short fiction which open up for us the experiential worlds of persons with disabilities and those who love them. The book offers a multi-perspectival understanding of the disability experience its emotional as well as imagined truth, both to the disabled themselves as well as to those closely associated with them.
‘1 have learnt that stories are always bigger than they seem at first—bigger, wider and deeper.’
At the heart of this book is inter-being and the question: What does it mean to love and accept yourself or someone else fully?
Book Review
“This Kind of Child: The ‘Disability’ Story” by K. Srilata is a book that weaves together various perspectives on the disability experience through the voices of individuals with disabilities, their caregivers, families, and institutions that work with people with disabilities. The format of the book is fluid, incorporating first-person accounts, interviews, and short stories, which aptly capture the diversity of the disability narrative that cannot be summarized by a “one size fits all” approach.
As I began reading this book, I was immediately impressed by the author’s conscious decision to include a “note on terms used” that highlights their preference for people-first language. This gave me confidence in the book’s authenticity. As I continued to the Preface, I empathised with the author. A few pages into the narrative, I, as someone living with an autoimmune condition, felt truly seen when the author mentioned the invisible disability that often comes with chronic illnesses. I couldn’t agree more with the author’s assertion that self-representation is crucial to shaping the disability narrative.
The book initially began as a manuscript that focused on capturing the learning difficulties of Srilata’s daughter, who was rejected by a school due to the lack of provisions for “this kind of child.” However, the book organically evolved into a format that incorporates multiple perspectives and facets of the disability story, making it a comprehensive and inclusive representation.
The book is divided into 7 sections, each of which reflects on various aspects of the disability experience. The first section discusses how schools and colleges often disable our youth, while the second highlights the need to move away from the “charity” model towards recognizing disability as a legitimate right. The third section explores the concept of “seeing” and what sighted individuals may overlook, while the fourth section delves into the often-invisible care work associated with disability and its gendered nature. The fifth section features narratives from siblings of individuals with disabilities, providing an additional perspective. The sixth section focuses on creating roadmaps and spaces for individuals with a disability, and the final section includes interleaved stories, all of which come together to provide a 360-degree view of the disability narrative.
Wrap up words
Whether it’s Srilata’s personal experiences as a caregiver, her daughter’s story in her own words, or the other first-person narratives and interviews featured in the book, each one allows the reader to see the disability experience through an empathetic lens, helping us to be less judgemental. Through these narratives, the book allows us to unlearn any preconceived notions we may have had and teaches us to approach disability and individuals with disabilities with an open, non-judgmental attitude. This ability to foster greater understanding and empathy is the true victory of this book.
Also, the beauty of the book lies in its open-ended stories, which serve as a metaphor for the possibility of change and growth over time, both as individuals and as a community. ‘This kind of child’ is certain to be an important part of history and has the potential to create history by initiating larger, kinder, and more inclusive conversations about the disability experience.
Whether abled or disabled, Srilata’s writing leaves readers with a compelling question to contemplate: what does it truly mean to live in our bodies and minds, and to navigate the world?
Happimess is a collection of naughty stories that make us laugh while constantly poking fun at social peculiarities. Narrated mostly in the first person, the stories center around everyday situations that get oddly tangled up.
Once frantic efforts are made to wriggle out, things only get more messy. Flippant and irreverent, the net of satire is cast wide, spanning conspiring home-appliances, outlandish diseases, nosy insurance agents, die-hard hagglers, a botched farewell speech and the like.
It is the constant undercurrent of funny disorderliness that serves to spice-up and unite the stories.
Book Review
Warning: This book may cause laughter, which may be disruptive in certain public places such as hospitals, public meetings, prayer halls, etc. Please consider reading in a more appropriate setting to avoid causing discomfort to those around you. As a personal anecdote, I read this book in a hospital and my uncontrollable laughter garnered some disapproving looks.
Happimess is a collection of humorous short stories drawn from familiar everyday life anecdotes. What makes these stories so appealing is their relatability and the sardonic tone of the author, capturing experiences that we all share but often don’t express.
The author, Biswajit Banerji’s wit is evident from the Dedication and Introduction all the way to the Author’s Bio at the end.
“What’s remarkable about Happimess is how the stories take experiences that we might find irritating or frustrating and turn them into the lifeline of the book. From electrical appliances going haywire to haggling gone wrong, or pestering insurance agents or pesky neighbours, we’ve all experienced these things. However, the author’s exaggerated expressions brimming with satire and humour will make us take these experiences in a lighter vein next time, finding amusement in what once caused us annoyance.”
The narrative is in the first person, and the character sketches are spot on, reminding us of someone from our own circle. In addition, the author presents some brilliant ideas for common problems, such as the ‘Marriage Tolerance Test’ or the trick of inflicting insult without injury that the author learned from a friend and generously shares with us.
One story in particular that is sure to crack you up is the ‘Haggler’s Manual,’ which is full of typos. (Note: If you’re not familiar with the term ‘haggling,’ it means bargaining, which is something we, as Indians, are experts at.) Here’s a sample:”
Haggling is the king of fart-forms that ultimately leaves no bad taste in the behind, both for the buyers as well as the sellers. Price negotiations continue till both parties are mutually frustrated and one of them passes out to seal the deal.
Hagglers must leave their shelf-respect and pride outside when they enter any shop for haggling. Only then can they come out victoriass with smiling faeces and be successpool.
Overall, this debut book of the author Biswajit Banerji delivers the promised laughter, though, in some places, the writing can feel a little verbose. However, the exaggerations make up for it, and it’s definitely a worthwhile read.
I highly recommend this book for an effective dose of laughter, making it an ideal travel companion.
P.S. Meanwhile, I am just trying to unsee/unread the following lines from the book, especially the last verse that takes its inspiration from one of my favourite poems, Stopping by Woods on a Snowy Evening by Robert Frost.
The lines from the book:
Mr. Rao is pained by the general apathy to haggling. But he is not one to give up easily and further reiterates in a handout, “A true haggler never throws in his bowel and he has promises to keep and piles to go before he slips.”
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