The exciting Kolam Kondattam Kontest is right around the corner. And Bharathi can’t wait to participate and show off, er, showcase his creative skills. Encouraged by his friends, Tabassum and Alagu, he registers for the contest (with a ‘k’).
Alas, the Residents’ Welfare Association, led by the fearsome Mrs Subramaniam, won’t hear of it. The contest is open only to the residents of Pravin’s Paradiso Apartments. And while Bharathi hangs out at the apartments all the time, he’s not exactly-technically-actually a resident.
Now it’s up to Bharathi to hatch an ingenious plan. Will he be able to get around the rules, get past the building bullies and get a shot at his dream?
Book Review
Once again, Vibha Batra defies gender stereotypes through her writing in the delightful book “Kolam Kanna,” crafted for middle graders. With her signature style, she presents a fun-filled and effortlessly readable narrative that challenges conventions.
The story begins by immediately seizing your attention with a thought-provoking question: “How do you catch a tiger?” What ensues is an even more captivating and mysterious response. With this intriguing beginning, the author introduces us to Bharathi, a middle-grade boy from a modest family, whose extraordinary talent for crafting kolams infuses life into what he captures in it. While Tabassum and Alagu, his close friends, readily recognize and support his exceptional talent for creating kolams, much like his mother does, many others in his vicinity find it peculiar and cling to their stereotypical biases.
Furthermore, as excitement builds for the Kolam Contest announced within Pravin’s Paradiso Apartments, where Bharathi’s mother is employed and his friends Tabassum and Alagu reside, Bharathi is brimming with hope and dreams. However, his enthusiasm is short-lived as he discovers that the competition is exclusively for the apartment’s residents. The rest of the story unfolds to answer whether Bharathi can overcome this obstacle and fulfil his dream by participating in the contest.
What my 11-year-old and I found particularly delightful was the robust camaraderie between Bharathi and his friends, coupled with their individual quirks. Their humorous pranks added an extra layer of amusement, enhanced by the author’s engaging writing style.
My daughter thoroughly enjoyed the tiny kolams adorning each chapter title and eagerly engaged in trying to replicate them. Additionally, she found great delight in the incorporation of Tamil words and phrases within the story.
Wrap up words
The cover illustration by Jemma Jose is captivating, and the black-and-white illustrations within the book add a touch of humour while enhancing the storyline. I wholeheartedly recommend this engaging tale, written in simple language, to middle graders, especially those who are transitioning from picture books to chapter books.
Buy here
Recommended Read (Another book written by the same author)
Let’s dive into some of my most personal bookish confessions. These revelations will give you a sneak peek into my one-of-a-kind connection with the world of books. So, grab a comfy seat, and let’s explore the quirks and peculiarities that make my reading journey a bit different. While I may not have followed the crowd when it came to classic novels or popular series, my unique experiences and idiosyncrasies in the world of literature have shaped my own delightful adventure.
Skipping the Classics
I must admit that I have never read the famous fiction books that many of my peers grew up with, such as The Famous Five, Nancy Drew, or The Secret Seven. My literary journey took a different path, and I’ve never quite stepped into their well-trodden pages.
Not a Potterhead (yet!)
I am not a Potterhead either. While the world was enchanted by the magical adventures of Harry Potter, I found myself drawn to different stories and worlds. Sometimes, being outside the mainstream can feel like a world of its own.
The Picture Book Predicament
On occasions, I’ve found myself purchasing picture books not for my daughter or as gifts for children but for my own personal enjoyment. There’s something enchanting about the illustrations and simplicity of these books that speaks to my inner child.
The Wordy Poetry Hack
When I encounter writer’s block while crafting personalized poetry gifts for clients, I turn to a peculiar trick. I select a book from my shelf, open it randomly, and choose a word from the first line. This word becomes the catalyst for my creative process. Sometimes it leads to poetry; sometimes it doesn’t. Regardless, it helps me overcome the block.
The Mix-and-Match Reader
Unlike many readers who prefer to immerse themselves in one book at a time, I find myself constantly switching between different genres and stories. It’s as if I can’t resist the allure of multiple literary worlds simultaneously.
A part of our collection!
The Eclectic Taste
While my daughter’s book collection is often in high demand among her friends, mine doesn’t enjoy the same popularity. It appears my taste in literature, which encompasses non-fiction, poetry, spirituality, and even mathematics (an unusual combination, I admit), is somewhat unique.
Emotional Resonance Over Names
More often than not, I find myself forgetting the names of characters or places in the plot. However, what I remember with remarkable clarity is how the book evoked specific emotions during my reading journey and the circumstances surrounding my immersion in its pages.
The Mysterious Connection
To add a final layer of intrigue, my bookshelf harbours books I haven’t completed and others I haven’t even started. Yet, books have a way of communicating with readers in mysterious ways. Some books remain dormant on my shelf for years, only to be rediscovered when the timing is just right, making them feel entirely new and inviting me to finish what I once started.
So, there it is- my bookish confessions. In sharing these personal revelations, I hope to show that there is no one-size-fits-all approach to reading. We all have our idiosyncrasies when it comes to books, and that’s what makes the world of literature so rich and diverse. Embrace your unique reading style, and you may find that books have their own way of speaking to you, too.
What are the Yoga Sutras? Instructions for bearded rishis who lived in the forests of ancient India? Or the complete manual of asanas?
Neither! In fact, the text may well have been called ‘Maharishi P’s Ultimate Handbook of Mind Control’, for it is really a set of techniques to help us – all of us – awaken and harness the explosive power of our minds, through our actions, our attitudes and our awareness.
And not our asanas? Those too, but not in the way you imagined it.
In this surprising, sparkling book, Roopa Pai unravels the secrets of Patanjali’s compact 2,000-year-old text in ways both fun and accessible. Walk down the well-marked paths into a dazzling world where a whole new version of yourself – self-assured, fearless and free – awaits you. Go on, then – what are you waiting for?
Book Review
Whether you’ve encountered Maharishi Patanjali’s Yoga Sutras before or not, the word “Yoga” is likely familiar to most. Just the mention of Yoga conjures images of twisted postures and serene faces in meditation. But here’s the catch: Yoga is far more than just practising physical asanas (postures). It embodies the union of individual consciousness with the Universal Consciousness, representing a profound harmony between the mind and body, as well as between humanity and nature.
The “Yoga Sutras” by Maharishi Patanjali serve as a valuable handbook to master your mind, containing 195 sutras thoughtfully organized into four chapters: samAdhipAda, sAdhanapAda, vibhUtipAda, and kaivalyapAda. These sutras are a pathway to quieting the mind, and spiritual growth enabling one to perceive reality as it truly is, rather than how it appears on the surface.
With that concise introduction to Patanjali’s Yoga Sutras, let’s delve into the review of “The Yoga Sutras for Children” by Roopa Pai.
The initial question that arises is why present such a highly philosophical text to children, especially when even adults sometimes struggle to grasp and apply its teachings. But trust me, it’s the younger generation, the kids, who face peer pressure, stress, decision fatigue, and other challenges (a few words we didn’t even know existed) that need this book the most. Why? Because their minds are inundated with numerous thoughts and emotions, and the concept of simply being at peace without any productivity seems foreign to them.
To begin, the author Roopa Pai has done an exceptional job of contextualizing the teachings of Maharishi Patanjali’s Yoga Sutras and captivating readers with a compelling elevator pitch that draws them in and keeps them engaged. Through her skilful approach, she makes the seemingly complex Yoga Sutras more accessible, providing relatable and practical applications for each sutra. As a result, readers can apply these teachings to enhance their lives and function at their best. The book serves as a valuable guide for personal growth and self-improvement, catering to readers of all ages and backgrounds.
In this book, she covers the first two chapters, samAdhipAda and sAdhanapAda, out of the four chapters (with the anticipation of a sequel for the remaining two) in the Yoga Sutras. Even these two chapters are thoughtfully broken down into sizable chunks for easy digestion of the concepts – or rather, the profound wisdom – that Maharshi Patanjali penned down centuries ago.
What makes it even more appealing is the impeccable structure and presentation of the book. Roopa Pai skillfully ensures that it resonates with both atheists and theists alike. Moreover, she adeptly draws comparisons across various religions and faiths, illuminating the striking similarities and underscoring the text’s secularity and universal principles. This approach adds depth and inclusivity to the book, making it relatable and insightful for readers of diverse beliefs and backgrounds.
Roopa has a profound understanding of her audience and expertly provides the necessary context for readers to comprehend the origins and nuances of these ancient texts. Simultaneously, she effectively highlights the relevance of the sutras in the contemporary era.
The interactive language she employs is exceptionally captivating, without compromising on clarity or depth. The book encompasses practical exercises that resonate with readers of all ages.
Notable Features from the book!
Notable Features
The unique chat boxes that simulate conversations between Maharishi Patanjali and the reader, creating an immersive experience that feels like someone is articulating our very thoughts and inquiries. This creative and engaging approach adds an extra dimension to the reading experience, fostering a personal connection between the reader and the teachings, making the book all the more impactful and enjoyable.
Additionally, the “Do It!” and “Think About It” boxes, containing relevant activities and exercises for our present times, encourage readers to apply the principles of Yoga Sutras in their day-to-day lives, enabling them to experience the benefits firsthand.
The pronunciation guide at the end of the book ensures that readers can correctly grasp and pronounce the Sanskrit terms (along with their English transliterations) used in the text, enhancing the reader’s understanding of the content.
Furthermore, the ready reckoner serves as a convenient quick-reference guide, making it easier for readers to revisit key concepts and insights as needed.
The black and white illustrations by Sayan Mukherjee are not only visually appealing but also aid in comprehending the information being conveyed, adding depth to the reader’s understanding.
These practical elements showcase the author’s dedication to making the book reader-friendly and accessible, further enhancing the value of this already excellent work. I absolutely love it!
Wrap-up words
Overall, “Yoga Sutras for Children” impressively caters to its target audience while holding the attention of mature readers as well. Roopa’s expertise shines through as she brings these ancient teachings to life, making them accessible and applicable to our modern lives. Whether you are a parent, teacher, or anyone seeking mental well-being and spiritual growth, this book offers valuable insights and practices to navigate the complexities of life. I highly recommend it for both children and adults looking to cultivate inner peace and harmony.
So what are you waiting for? As Maharishi Patanjali has said and the author Roopa Pai has beautifully decoded for us, “NOW is the good time to start!” अथ योगानुशासनम्॥1॥
Writing mythology can be a complex and challenging task. Aspiring writers are often faced with many questions and uncertainties, which can make the task seem daunting. For instance, they may question whether the mythology is still relevant to modern audiences and how to make these ancient stories resonate with contemporary readers. Additionally, writers may wonder how to represent the characters and themes in a way that is both appropriate and respectful, while also handling potentially sensitive or controversial topics. With all these uncertainties in mind, writing mythology can be a daunting task for many.
Attending the #BlogchatterWritFest workshop with Satyarth Nayak, the author of Mahagatha, proved to be an enlightening experience that dispelled our fears and doubts about writing mythology. His guidance and insights were highly encouraging and left us feeling empowered and confident enough to take on the challenge of writing our own mythological tales.
The Mahagatha author’s passion and enthusiasm were evident as he answered various questions, making for an engaging and informative discussion. His deep knowledge of the subject matter was palpable, leaving us with valuable insights and guidance. Here are a few of the questions that were discussed during this insightful workshop, which was arranged by Blogchatter and left us feeling inspired and motivated to explore mythology further.
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Q: How can we research places and/or characters of mythology?
The author emphasized the importance of research, not just for mythology, but for any genre of writing. He attributed his disciplined approach to research to his experience as a correspondent with CNN-IBN. The author also stressed the importance of reading and absorbing existing works on mythology to gain a deeper understanding of the subject matter. As an example, he shared that he had read multiple versions and translations of the Puranas while researching for his book Mahagatha, which is a compilation of 100 tales from the Puranas.
Q: Should mythology be kept relevant to current times or preserved in the period it was originally set?
The author responded by stating that it ultimately comes down to the writer’s personal and creative choice, as both approaches have their merits. Presenting mythological stories in their original form, as they were set in their original period, can evoke a sense of nostalgia and longing. On the other hand, retelling these stories through the lens of contemporary times can make them feel more relevant. Ultimately, the choice of how to present these stories is up to the author and should be made accordingly.
Q: How one should go about picking a specific version of a mythological story, given the many different variations that exist?
The author acknowledged that this can be a confusing process, but he also highlighted the beauty of the plurality of voices in Hindu mythology. He stated that every narrative has its place and should be celebrated rather than causing confusion.
The author then provided a useful tip for selecting stories for one’s own work. He suggested that one needs to be clear on the narrative framework and overarching theme of the book first. Once this is established, one can then select stories that are interlinked and form a chain of events that help the narrative move forward. For instance, the author handpicked stories from the Puranas for his book Mahagatha, constructing a narrative that travels through the four yugas and offers continuous and organic action.
The author also emphasized that it is natural for a writer to be drawn to stories or perspectives that resonate with them based on their own upbringing and personal beliefs. Ultimately, the choice of which version of a mythological story to use should be guided by the writer’s creative vision and the needs of their narrative.
Q: How to ensure that a story told from the perspective of a mythological character is true to the character’s perspective and not the author’s own perspective?
The author acknowledged that this is a common struggle for authors, but emphasized that the key is to be true to the character. He explained that it is not necessary for the author to agree with the character’s beliefs, but it is essential to inhabit the character and their worldview. The author shared his experience of writing about Sati, the youngest daughter of Daksha who marries Lord Shiva against her father’s will. He faced a dilemma when he had to write Daksha’s dialogues using strong language and cursing Mahadeva, as he was a devotee of Mahadeva himself. However, to be true to the character, he had to put aside his own beliefs and remember that being true to the character doesn’t mean he agrees with the character’s beliefs. The audience will understand that it is the character speaking, not the author.
Q: How to make mythology interesting for readers?
He responded by emphasizing that mythological stories are inherently interesting and that the author’s job is to present and retell them in a compelling way, using language and narrative techniques to engage readers. As an example, he cited his own book, Mahagatha, which weaves together interlinked stories from the Puranas and concludes each one with a cliffhanger to keep readers hooked.
Q: What do you think is the X-factor in bestselling mythology books?
In response, Satyarth stated that it is called X-factor for a reason implying that there is no definite answer. As the Indian market has no set formula for success, it can be challenging to identify the exact X-factor that makes a book a bestseller. Instead, he advised writers to focus on writing what genuinely excites them rather than writing with the intention of creating a bestseller. According to him, when writers write with passion and excitement, it naturally reflects in their work, and readers are more likely to identify the X-factor in their writing.
Q: What is your favourite mythology story?
The Mahabharatha.
Q: What’s your current read?
The Mahabharatha– A set of 10 contemporary books with Mahabharatha Stories by Bibek Debroy
Q: How can we modernize mythology?
The author mentioned that while there are many stories in mythology that are inherently modern, such as King Sudyumna’s transformation into a woman, which is relevant to contemporary queer representation, it’s important to be conscious of the context and period in which a story is set. For instance, there are stories in mythology that may not make sense when modernized, such as the one where Rama punishes a Shudra. Therefore, the key is for the writer to make a deliberate and informed choice about what elements to modernize and what to keep intact based on the content of the story.
Q: In retellings of mythology, some authors introduce new characters to the existing narrative. Doesn’t that confuse readers about what’s the original version and what’s not?
The author agreed that some retellings of mythology do introduce new characters, which is the author’s creative and dramatic license. However, the readers should approach such retellings with the awareness that it’s not the original version and the writer has exercised their creative liberty. This can be found/made clear through the author’s note or introduction at the beginning of the book.
Q:Apart from Krishna, who is your favourite character in Mahabharatha?
While Krishna remains his favourite character, the author said that if he had to choose one from the Puranas, it would be Lord Vishnu. He said he admires him for the selfless act of taking avatars to serve the greater good (Jankalyan), even if it means being cursed.
With that inspiring answer, the conversation came to a close. It was an absolutely insightful session with Satyarth Nayak. The team Blogchatter never ceases to delight its members with such sessions and other workshops/challenges. I have done my best to recount everything I can remember, and I hope that this conversation has been as inspiring for you as it has been for me.
Zero in on the Details-Focus on the Small Moments That Make up a Larger Experience
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When it comes to poetry, sometimes it’s the small moments that can have the biggest impact. Focusing on small details can make a poem more relatable and vivid, as it allows readers to see and experience the world through the poet’s eyes. By zeroing in on specific moments or images, a poet can create a sense of intimacy with the reader and draw them into the poem.
“Your Hands” by Angelina Weld Grimké is a poem that exemplifies the importance of zeroing in on the details and focusing on small moments in poetry. The poem describes the speaker’s observations of their lover’s hands, and how the smallest gestures and movements of those hands evoke powerful emotions and memories.
Your Hands – By Angelina Weld Grimké
I love your hands:
They are big hands, firm hands, gentle hands;
Hair grows on the back near the wrist . . . .
I have seen the nails broken and stained
From hard work.
And yet, when you touch me,
I grow small . . . . . . . and quiet . . . . . .
. . . . . . . . . And happy . . . . . . . .
If I might only grow small enough
To curl up into the hollow of your palm,
Your left palm,
Curl up, lie close and cling,
So that I might know myself always there,
. . . . . . . Even if you forgot.
Throughout the poem, Grimké uses precise language and vivid descriptions to capture the sensory details of the hands. These details create a clear and vivid picture in the reader’s mind, allowing them to imagine the hands and the emotions they evoke.
By focusing on the small moments of observing the lover’s hands, Grimké is able to convey a larger experience of love and intimacy. The hands become a metaphor for the deep emotional connection between the speaker and their lover, and the memories and experiences that they share. Through the poem’s attention to detail, the reader is able to connect with the speaker’s emotions and experiences on a deeper level.
“Your Hands” is a powerful example of how focusing on small details can create a more immersive and emotionally resonant experience in poetry. By zeroing in on the hands and the movements and emotions they evoke, Grimké is able to create a powerful and memorable poem.
So, zero in on the details-focus on the small moments that make up a larger experience.
With this tip, my #BlogchatterA2Z challenge for the year comes to an end. You now have The Poet’s Alphabet comprising 26 secrets for crafting beautiful poetry for your perusal. I hope these tips were helpful to you and that you will find them handy while crafting poetry. Thank you for reading and engaging with the posts; it means a lot to me.
You can find the links to all 26 tips in the following post. Check it out!
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Yearn for Authenticity
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Authenticity is the quality of being genuine, true to oneself, and honest. It is an essential element of great poetry because it allows one to create work that resonates with readers on a deeper level. In today’s world, it can be easy to get carried away with trends and write what we think others want to hear, rather than what we genuinely experience and feel. However, when we do this, our work can come across as insincere or forced.
On the other hand, writing from personal experiences, emotions, and unique voice enables poets to create work that is more relatable and impactful. Authentic poetry is not just about expressing emotions or experiences, but expressing them in a way that is true to oneself. By writing from a place of honesty and vulnerability, we can connect with readers in a way that feels genuine and authentic.
Therefore, the yearning for authenticity is essential to writing great poetry. To achieve this, we must be willing to explore our emotions and experiences with openness and honesty and be true to our unique voices. In doing so, we can create work that resonates with readers profoundly, making poetry a powerful tool for connection and self-expression.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
eXperiment With Punctuation To Create New Effects and Rhythms
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Punctuation isn’t just about following the rules – it can also be used creatively to create new effects and rhythms in your poems. By playing with punctuation (such as using a dash or ellipses to create pauses or breaks), you can create a unique voice and style in your work.
Emily Dickinson’s poem “Because I Could Not Stop for Death” is an excellent example of how punctuation can be used creatively to create new effects and rhythms in poetry. In the poem, Dickinson uses dashes and periods to create pauses and breaks that enhance the poem’s meaning and add to its unique voice and style.
For example, the first stanza of the poem reads:
Because I could not stop for Death – He kindly stopped for me – The carriage held but just ourselves – And Immortality.
The use of the dash after “Death” creates a pause that emphasizes the importance of this character in the poem. It also sets the tone for the rest of the poem, creating a sense of suspense and foreboding.
Similarly, the use of the dash in the second line creates a pause that allows the reader to reflect on the idea of Death “kindly” stopping for the speaker. This use of punctuation adds to the poem’s unique voice and style, creating a sense of melancholy and introspection that is characteristic of Dickinson’s work.
Thus by playing with punctuation, you can create new effects and rhythms that enhance their work and make it stand out.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Write From Different Perspectives To Add Depth and Complexity
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Have you ever considered exploring different perspectives in your writing? It can be a great way to create work that feels rich and complex. By writing from a different gender, race, or time period, you can gain new insights and challenge your own assumptions and biases. This can help you create work that is more universal and relatable, speaking to a broader audience.
For example, if you’re used to writing from a male perspective, try writing from a female perspective or vice versa. If you always write about contemporary issues, try writing from the perspective of a historical figure or a character in a different time period. This can open up new avenues for your creativity and help you craft more diverse and engaging work.
A good example of this is my poem, “Swatantra – A Poem on Independence,” where I wrote from the perspective of the land to convey the idea of freedom and independence in a more profound way. Writing from a different perspective allowed me to use personification and repetition to create a powerful and memorable piece that challenges the reader’s assumptions and biases about what it means to be independent.
An excerpt from the poem, Swatantra
I can be the barren land-isolated
or a fertile field-decorated
deep inside lies my untouched soul
the essence of being immortal
From dust I become-to end
into the dust, a cycle of pretend
in ‘tween, a soul-free, identity independent
singing the song of freedom, eternally coherent
The shackles of your conditioning
never do they define my being
I stretch, I flow, I change yet forever glow
in the gentle breeze, even in a stormy blow
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Visualize Your Poems
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Visualize your poems as you write to create powerful imagery. Visualizing your poems can help create strong imagery and bring your work to life. By imagining the scenes, characters, and emotions of your poem, you can create a rich, immersive experience for your readers.
When you visualize your poems, you allow yourself to be more creative and spontaneous in your writing. By freeing yourself from the constraints of logic and reason, you can explore the depths of your imagination and bring forth unexpected and compelling images that will captivate your readers’ attention.
Welcome! I’m participating in the #BlogchatterA2Z challenge where I’ll share 26 posts on the theme “The Poet’s Alphabet: 26 Secrets for Crafting Beautiful Poetry”. In each post, I’ll offer bite-sized tips and tricks for crafting and perfectly editing poetry. Today’s tip is:
Use Repetition for Emphasis
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Repetition can be a powerful tool in poetry, allowing you to emphasize key ideas or themes. Experiment with repeating words, phrases, or even entire lines to create a sense of rhythm and resonance in your work.
Maya Angelou’s poem “Still I Rise” is a great example of how repetition can be used to emphasize key ideas and themes. Throughout the poem, Angelou repeats the phrase “I rise” as a way of asserting her strength and resilience in the face of adversity. By repeating this phrase, Angelou creates a sense of rhythm and momentum that builds throughout the poem.
For example, in the second stanza of the poem, Angelou writes:
"Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise."
The repetition of “Just like” in this stanza emphasizes the idea that Angelou’s strength is as natural and inevitable as the movements of the moon and sun. The repetition of “Still I’ll rise” at the end of the stanza reinforces the idea that no matter what challenges she faces, she will always persevere.
Angelou also uses repetition to emphasize the importance of identity and self-worth. In the fourth stanza, she writes:
"Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise"
The repetition of “I rise” in these lines serves as a reminder that Angelou’s identity and sense of self-worth cannot be taken away by external circumstances. The repetition also creates a sense of uplift and hope, as if each repetition is a step upward toward a brighter future.
So now you know how repetition can be used as a powerful technique to emphasize key ideas and themes, creating a sense of rhythm and momentum that propels the poem forward.
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